Lithograph in colors, on Arches, with full margins.
Image 37.5 × 50.5cm
Sheet 38.5 × 56.7xm
An unsigned impression, with the Collection Mourlot
Inkstamp in black on the reverse, one of five artist proofs, Mourlot’s 2nd state (of 4) of black of the complete plate.
According to Mourlot, “No Change on the black zinc the yellow plate has been rubbed with glass paper after some additions. The yellow is printed with red ochre.”
Exquisitely famed.
Provenance:
Fernand Morlot, Paris
An important private American collector
Galerie Michael, Los Angeles
Notes:
Picasso’s reoccurring theme of the “Woman at the Mirror” can be seen as a refection of his fascination with the complexities and multifaceted nature of human identity and perception.
Lithograph in colors, on Arches, with full margins.
Image 37.5 × 50.5cm
Sheet 38.5 × 56.7xm
An unsigned impression, with the Collection Mourlot
Inkstamp in black on the reverse, one of five artist proofs, Mourlot’s 2nd state (of 4) of black of the complete plate.
According to Mourlot, “No Change on the black zinc the yellow plate has been rubbed with glass paper after some additions. The yellow is printed with red ochre.”
Exquisitely famed.
Provenance:
Fernand Morlot, Paris
An important private American collector
Galerie Michael, Los Angeles
Notes:
Picasso’s reoccurring theme of the “Woman at the Mirror” can be seen as a refection of his fascination with the complexities and multifaceted nature of human identity and perception.
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Art Beyond the Gallery
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